- Alone together album bill evans transcriptions plus#
- Alone together album bill evans transcriptions tv#
It’s just that it got going, and I acquired the habit of playing that way then. He’s just a tremendously strong drummer, and it wasn’t that it was too loud or anything like that. And Philly certainly fitted into the group the ballads and all were gorgeous. I know that Philly Joe Jones was with the trio in America last year for about four months and during that time I did play physically much stronger, because the strong things that we played were that much more robust. Maybe it’s because of the fact that Jack might play a little harder, and Eddie is a very vigorous bass player, that this gives the dimension to my playing that, though it might not be different, it makes the listener feel that I’m playing stronger.
In fact, I don’t know–1 feel I’ve always played about the same. I think it’s true that I’m playing harder now, compared to my appearance at Ronnie’s old club three years ago.īut it didn’t happen in conjunction with Jack’s joining the group so much. But yes, I do feel that he’s a very healthy kind of influence in that way.
Maybe we’ll settle in a different way, or something. I haven’t gotten to what I would get to yet maybe I won’t. In other words, I feel myself being disturbed from my, let’s say, solid role, the way that I would think if he weren’t there. Just the last few nights I’ve felt that his influence has been getting to me. Therefore he moves me to find things, perhaps, that I wouldn’t find otherwise. He’s stimulating you can always feel his creative energy. Oh, yes, he has had a little bit of an effect on my ,playing. Consequently, because of his fresh conception, you might say, I think that our general repertoire and possibly the style of the group will go through not, maybe major changes. They were creative, too, but Jack seems to find his own things to put in the same places. Jack has brought something to the group that we’ve never had: a sort of creativity on the drums that is different from any of the other drummers. And by the end of the job I felt completely confident about the group and our appearances here in Europe. It took about a week–and–ahalf or so before we started to feel that things were going to really get together in a brand new way.
Alone together album bill evans transcriptions plus#
Plus we were also fortunate to have that three weeks in New York, in a rather relaxed club atmosphere to break in the new group before we had to record. I think we were very fortunate to get Jack. we went to the Montreux Jazz Festival, where we recorded live our appearance there.
Alone together album bill evans transcriptions tv#
Jack did three TV spots in New York with us, then three weeks at the Top Of The Gate. In Les Tomkins’ third interview with the Bill Evans Trio in 1968, Evans, drummer Jack DeJohnette and bassist Eddie Gomez talk about their individual experiences working with the trio and what they bring to it. After leaving Davis, he led his own trios, using a succession of top bassists (including Scott LaFaro, Chuck Israels and Eddie Gomez) and toured widely in the US, Europe and beyond.Įvans wrote memorable compositions, such as ‘Waltz for Debby’ and ‘Very Early’, but was perhaps at his best in his lustrous re-interpretations of standard tunes which he could lift to new levels of subtlety and lyricism. The pressure of working in Davis’ sextet, perhaps the leading jazz unit of its time, aggravated Evans’ narcotic habit which very seriously affected his later career. Evans’ contribution was crucial, helping to define the album’s unique mood. He influenced Davis’ interest in modal jazz and returned to play on the trumpeter’s 1959 Kind of Blue album, one of the most important recordings in jazz history. His breakthrough to real prominence came as a member of Miles Davis’ sextet from April to November 1958.
Born in Plainfield, New Jersey as William John Evans, he introduced an original, attractive style of piano playing to jazz, with distinctive harmonies, great sophistication in chord voicings, and a new conception of the piano trio in which bass and drums assumed almost equal responsibility with the pianist for developing a performance.Įvans, classically trained from the age of six, worked with various jazz groups before attracting notice on recordings by Charles Mingus and George Russell. It is hard to over-estimate Bill Evans’ influence on subsequent jazz pianists.
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